Big Thief

Two Hands

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  • caoliu社区草榴最新美国女孩成人毛片|成人快播电影|亚洲成人社区美联储“一出好戏”来到高潮:三方势力开掐

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      前來稟報的劉二見雲瑯抱著甦稚,就很有眼色的退下了,還順便帶走了一些偷偷看熱鬧的傷兵。   她非常的奇怪,僅僅用四根小棍,那些毛線就會變成一片整齊的料子,雖然很疏松,看看厚度就知道應該很保暖。caoliu社区   雲瑯打開了帛書,長平的諄諄教導似乎就在耳邊響起……草榴最新   如果不苛刻的計算,雲瑯至少活了兩千多年。   “講道理啊,小子帶著傷兵,糧秣,輜重,能快到那里去啊……”美国女孩成人毛片|成人快播电影|亚洲成人社区   “你以為儒家已經獲得了天命?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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