Big Thief

Two Hands

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  • AV在线视频成人社区男人的天堂东京热!白白色油轮风波持续发酵之际 英国第二艘军舰抵达波斯湾

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      雲瑯笑了,抱了一下可憐的曹襄,就會去睡覺了,天寒地凍的,抱著溫香軟玉的甦稚要比跟曹襄一起喝冷風要好的多。   濟北王妃的腳步立刻就停了下來,像是被釘子釘在地上一般,一動不動!AV在线视频成人社区   老賊見雲瑯父子過來了,就笑呵呵的指著雲瑯討要好處。男人的天堂东京热!   雲哲從懷里掏出三枚剛剛出籠的肉包子,曹襄的眼珠子立刻就綠了。   雲瑯哈哈一笑,被冷風一吹,打了一個激靈就來到了背風處。白白色   在大漢國,沒有了孝之名,干什麼事情都是師出無名的。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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