Big Thief

Two Hands

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  • 2018柴房性事最新一本道东京热国庆群众游行第10方阵完成最后一次集体训练


      梁翁已經在昌樂市上找了另外一個青磚小院子,比這里還要清爽,至少沒有叮叮  的打鐵聲。   丑庸小心的看看雲瑯,只見雲瑯對她嘆口氣道︰“他不是在生我們的氣,而是在生自己的氣。”2018柴房性事   想想兩千年來的倫理進化成果連屁都算不上,這就讓雲瑯有些氣急敗壞。最新一本道   只有他們這些公主與侯爺身邊最親近的奴僕,才知道公主跟侯爺是多麼的和善……   因此,想把這種羽箭從腿上拔出來非常的受罪,因為所有的狼牙箭除過匈奴人用的真正狼牙箭之外,都是有倒刺的。东京热   雲瑯笑道︰“有緊急公務的就趕緊滾,沒有緊急公務的就一起走走。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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