Big Thief

Two Hands

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  • 黄色图片网站白白色白白色在线视频歼击机梯队:体系作战的“刀尖”

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      這一點,劉莽完全從心底對麥迪報以尊重!盡管知道將來麥迪的職業生涯不算完美,但如果不從奪冠或者個人榮譽上去考慮,單純從籃球愛好者方面考慮,麥迪,好像也不錯。   酷!黄色图片网站   現場的噓聲更大了!白白色   “文斯?卡特觸發死亡隔扣技能5級,隔人扣籃成功率達百分之五十。”   對面的小孩壓根就沒覺察出什麼,滿心滿意為自己受到關注而興奮,喝完了水又跟那幫小伙伴們去打球了。白白色在线视频   “科比?布萊恩特能力值為93,但宿主如果和科比?布萊恩特對位,會比面對認真的特雷西?麥克格雷迪更慘,宿主和科比?布萊恩特一對一進入抗衡場面的幾率為百分之零。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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