Big Thief

Two Hands

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      這句話如同一團火焰點燃了巨大的火藥桶,偌大的受降城頓時就沸騰起來。 草榴论坛   原生的政治制度讓司馬遷入迷,他覺得這樣一個活生生的例子,讓他可以推算戰國以前的社會狀態。caoliu社区   雲瑯點點頭道︰“來的不是一個人,來的是規矩!估計陛下對我們輕易動用繡衣使者文牒非常的不滿,又對我們私自離開白登山也很不高興。就派來了規矩,讓我們一步一個腳印的走路,不準我們行差踏錯。” 第六十五章 呀,原來是有女懷春草榴最新   這些婦人走進軍營的時候,心中還有足以焚化天地的怒火,等到她們離開的時候,雲瑯已經成了她們最好的朋友,或許還他娘的是最值得愛戀的戀人。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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