Big Thief

Two Hands

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  • 色姐妹插姐姐色大姐姐妹网忽悠式回购or新玩法? 克明面业董秘教你回购能这么玩


      昨日里摸了一下甦稚的腰,這丫頭就連續兩天不見人影。   這也是一種平衡。色姐妹插姐姐   狼這種生靈其實是非常聰慧的,無數年來養成的狩獵習慣,早就固定了每一匹狼在即將戰斗時候的位置。色大姐   於單孤獨的躺在厚厚的松針上,咳嗽幾聲之後,低聲對親衛首領查罕道︰“等我病好了,我們就可以去西邊。”   歡喜的蒙查盡量讓自己的手變得更加穩當,他很擔心哪些水珠會從他的手背上滑落……姐妹网   到了後來,本朝只做歷史記錄,並不撰寫真正的史書,只有朝代覆亡之後,才會由後來的朝代撰寫前朝史書。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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