Big Thief

Two Hands

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  • 美国女孩成人毛片|成人快播电影|亚洲成人社区学生妹欧美成人做爱电影视频詹姆斯对阵各队最高得分盘点 他是谁的噩梦?

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      這就是曹襄的仁慈,做了這樣的事情,能讓曹襄幸福好幾天。   “我這個匈奴人就要進書房看書了,你允許不?”美国女孩成人毛片|成人快播电影|亚洲成人社区   卓姬笑道︰“以前不懂事,以為只要有錢了,就能拴住男人的心,後來發現,不是那麼回事,越是有本事的男人啊,就越是鄙視女人有錢。他們喜歡丟給女人一堆錢,然後心安理得的享受女人伺候他們。”学生妹   “豆子不錯,可惜不能喝酒。”   這種破口袋漏水的聲音不斷地在雲瑯身後響起,雲瑯嘆息一聲,瞅著曹襄道︰“我怎麼總會遇見這種不要命的人?”欧美成人做爱电影视频   族長很高興地回去分那個婦人的財產去了,于是一個皆大歡喜的場面就出現了。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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